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How the visual effects team made fire feel real in The Lost Bus
That sense of wind is one of the film’s defining characteristics. It’s ever-present, driving the fires and the panic, and it ...
Ahead of the Visual Effects Society's 2025 nominations, the vet talks to The Hollywood Reporter about building the Bullet Farm, Gas Town and The Citadel, and doing face replacement work on the young ...
The complaints are nothing new: Hollywood doesn’t make mid-budget dramas anymore. The assembly line of superhero blockbusters results in bigger, louder and less coherent movies. Easily distracted ...
Dublin, Dec. 23, 2024 (GLOBE NEWSWIRE) -- The "Visual Effects (VFX) - Global Strategic Business Report" report has been added to ResearchAndMarkets.com's offering. The global market for Visual Effects ...
There’s something appropriate about David Fincher’s Mank premiering during one of the most unusual years Hollywood has experienced in several generations. Digital Trends spoke to Mavromates about his ...
Netflix is snapping up premiere visual-effects house Scanline VFX, announcing a deal to acquire the company that has done work on Netflix originals like “Stranger Things” as well as tentpole movies ...
Andrew Jackson reflects on creating the Manhattan Project's Trinity Test, for which he says no CG was involved. By Carolyn Giardina Tech Editor There’s a sizable amount of largely “invisible” visual ...
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