In “The Mastermind,” filmmaker Kelly Reichardt returns to the world of jazz and incompetent criminals she explored in her very first feature, 1994’s “River of Grass,” while bringing along every lesson ...
When the jazzy, jittery opening of Kelly Reichardt’s “The Mastermind” begins with slow, vertically crawling title cards in Bauhaus-like font, you know you’re about to be thrown back in cinematic time.
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