The Gospel at Colonus debuted at the BAM Harvey Theater as part of the Brooklyn Academy of Music's inaugural Next Wave Festival in 1983. The musical features a book, original lyrics, and direction by ...
NEW YORK — Someone should give Zeus a burnt offering. Or a producer credit. At the Delacorte Theater on Thursday night, sporadic rain had been falling for more than an hour. But as soon as the doors ...
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Performances in N.Y.C. In this revival at Little Island, the singer and pastor Kim Burrell shares the stage with a team of queer artists. Kim Burrell joins a production that asks whether redemption is ...
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CREDIT: By Chris Neely. Courtesy of Playhouse on the Square. I remember being so intimidated by Gospel at Colonus‘ co-creator Lee Breuer. The relentlessly experimental director and playwright ...
In the program for Gospel at Colonus, the musical co-creator Lee Breuer notes that “Zora Neale Hurston made the connection between Greek tragedy and the sanctified church many years ago, and The ...
The Pentecostal setting of the show is anything but gimmicky. It services every facet of Sophocles’ text. The weightiness of appeasing a higher power and parsing out incestuous bloodlines becomes ...
Lee Breuer and Bob Telson’s “The Gospel at Colonus,” this year’s livelier-than-usual outdoor theater production at the Getty Villa, combines disparate ritual traditions. Ancient Greek tragedy is ...
Kane Repertory Theatre returns with "On An Average Day," John Kolvenbach's two-hander about estranged brothers who reunite to examine their shared, tragic history. James Hendley plays Bob, a sociopath ...
It’s fairly unusual for a 30-plus-year-old experimental theater piece to remain trenchant, affecting and exhilarating at the same time, but that’s the incisive case with “The Gospel at Colonus” at the ...
Click to share on Facebook (Opens in new window) Facebook Click to share on X (Opens in new window) X What do you get when you mix an ancient Greek tragedy and a Pentecostal church? How about a hippie ...
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